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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, one half of the pioneering 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo scored a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is regarded as a seminal work of synth-pop.

He later formed the pioneering techno group The Grid, who achieved chart success with 1994's Swamp Thing.

Ball died calmly in his rest at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a wheelchair, as he had for the last two years, following a period of ill-health.

"I managed to damage myself quite a bit," he commented in 2023. "I fractured spinal bones in my back and fractured about five ribs and broke my arm."

Following catching a lung infection and suffering from sepsis, he was placed in an induced coma and stayed in hospital for half a year.

Nevertheless, he had been in "a great place mentally" during the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and very pleased with the latest project that we literally finished only a short time ago," said the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting year for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented musical genius", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the songs you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is distinct from being in a group, the connection is very tight," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, memorable moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Brought into the world into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who changed his first name from his birth name to David, together with his sibling his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both studying art. Fuelled by a mutual passion of a music genre, they established Soft Cell the very year, and promptly produced an EP.

Musical Partnership

The pair were an distinctive pairing: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a interest with synthesizers after watching Kraftwerk perform on BBC science show Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, selling millions of copies worldwide. Together with hits by other artists, Human League and Ultravox, it contributed to cleared the way for the synth-pop sound of the 80s.

The track was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at number two in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's death

Professional Journey

Success had its benefits. "I loved being able to purchase my first home, having money and exploring, which makes me sound like a Miss World," Ball recently told with a publication.

But it also presented problems. "Newfound wealth meant we could afford newfound drugs to relieve the monotony" of press appearances and TV performances, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a second memorable record - the unconventional, tense and fittingly named The Art Of Falling Apart.

They released one more LP, their 1984 release This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond went on to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the charting record Cruelty Without Beauty.

After a further hiatus, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on September 30, 2018.

However, they remained active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a homage to the New York club scene they frequented while making their initial records.

He added that his period in medical care had influenced the group's music.

"I had strange recollections when I was in and out of hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the times we had in the 80s."

The last versions were finished only a short time before Ball died. It is scheduled for release in Spring 2026.

By

Katherine Anderson

A cultural anthropologist and journalist with over a decade of experience covering global arts and societal shifts across continents.

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